Weekend with the NYT: Sarko & the Holocaust, Orpheus and Eurydice, Rivette, and the Old Boys Club, French division
Nothing like a long weekend to give you the opportunity to read stories from The New York Times:
- A Sarkozy Holocaust education strategy. M. le Président offered a plan whereby ten-year-olds at French schools will be assigned the name of a young Holocaust victim for them to learn about, an attempt to make sure the horrible event is never forgotten. The reaction has been negative, with critics saying that the tactic is too traumatic for this age group or that the president's action injects (once again) uncomfortable religious overtones into policy. Sarkozy has Jewish ancestry, although he is Catholic himself (which, with two divorces and three marriages, is an interesting place to be).
- A dance masterpiece at the Paris Opera Ballet. There's an ecstatic review of a production of Gluck's Orpheus and Eurydice at the Paris Opera Ballet, choreographed by Pina Bausch. The dance is performed with a dual cast of dancers and singers: "...the dancers look amazingly at home with (Bausch's) angular physical vocabulary and austere emotional terrain. With the magnificent musicians, they offer complete submission to their material, and to us, the sublime."
- The French Business elite. A long, fascinating story looks at the leaders of French business and their closed ranks.
- A profile of Jacques Rivette. The release of a new film, Ne touchez pas la hache (literally, "Don't Touch the Axe," but in the U.S. it's called The Duchess of Langeais) offers a reason to profile New Wave legend Jacques Rivette.
"His films, like Céline and Julie Go Boating, La Belle Noiseuse and Va Savoir, traffic in the spectral and the ineffable. Their plots overflow with paranoid conspiracies and secret codes. The Paris of his movies is a life-size board game, a labyrinth of signs. Everything is connected, or, perhaps more alarming, nothing is. His pet themes can seem dauntingly abstract: the allure of the theater, the line between acting and being, the enigmatic process of artistic creation, the curious means by which fictions take their shapes or take on lives of their own."



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